Cheeky Bubblers: nine acts you need to hear this month

FOR FANS OF: Laurie Anderson, John Talabot, Marvin & Guy

A release on Permanent Vacation is a landmark in any artist’s career; take the pinnacle moments of Tensnake, Todd Terje and Azari & III as a ne example. Welcome Daniela Caldellas, aka TERR, the label’s latest star in the making. Brazilian-born and Barcelona-based, she once toured the world as one half of electro-pop act Digitaria. In 2016 she became known as a solo artist in her own right after two EPs on Scuba’s Hot flush, both displaying a love of high energy electronica. Now that the sound of ‘80s electro is back with a vengeance, TERR’s ‘Have You Ever’ is an anthem of right now. Think fast-paced retro synths, catchy vocals and space-echo-style FX. The rest of the EP travels into more progressive territories with hints of Italo-disco and techno, showing off her varied production skills and obsession with analogue that will soon be turned into a fully- edged live show. Rumour has it she was also the first woman to DJ on a plane — on a flight across Brazil in 2012. High yer indeed!

SHERELLE

FOR FANS OF: Fracture, DJ Taye, Machinedrum

Although picked up by Kode9’s Hyperdub label and heavily infecting the d&b world through the more junglistic juke sound, the Chicago-born footwork genre is still about as niche as they come in the UK, and truly homegrown artists are few and far between. Sherelle, therefore, is a rarity, and one that should be cherished. Spotlighting key artists and exploring the full range of the 160bpm spectrum, her Tuesday night show on South London’s Reprezent radio is a veritable goldmine of killer tunes and ones to watch. Although clearly open to just about anything that ts within that bracket, a listen through her own mixes reveals a keen ear for vocal-led tracks, whether it be R&B reworks or more uplifting hardcore-tinged numbers, and a love for jittering junglistic breaks. All of which has seen her already support the likes of DJ Paypal, TASO and Dillinja. An on-the- ball selector, passionate about music and with a diggers philosophy, make sure your diary is clear every Tuesday from now on.

Earning his stripes at Brighton’s beloved seafront club Patterns (formerly Audio), Charles Green is fast becoming a recognisable name far beyond his local seaside town. Over the last six years he’s supported an ever-growing list of expert selectors, including the likes of Nina Kraviz, Ben UFO, Hunee and Tama Sumo amongst them. With a disposition for techno, his night, First Floor, has brought some of the nest underground acts to the club, including Ostgut Ton mainstay Function and Ilian Tape founders The Zenker Brothers. In recent days he’s been busying himself in the studio working on various jams with a multitude of analogue equipment, now regularly performing his live show under the name Cohesion (alongside Mehtola). His own productions delve into lo-fi techno recordings, with his debut release on ASOK’s Four Triangles racking up support from Ben Sims and Neville Watson. This year he has plans to launch his very own label so watch this space; Charles is armed and ready to join the ranks.

KIARA SCURO

FOR FANS OF: Throwing Shade, Lena Willikens, Elena Colombi

Rosie Cain and Nadia Anderson became friends after discovering their similarly abstract music tastes, and a mutual excitement for unearthing new records. Their first outing was under the name ATLAS; an alias that explored downtempo grooves, jazz, broken beat and world music with shows on Reprazent Radio and Gilles Peterson’s Worldwide FM. Now residing on Balamii, their new moniker Kiara Scuro is an exploration into the darker, grittier side of their tastes from acid-laced techno to driving EBM. With a knowledge spanning so many genres, they can’t be pigeon-holed and their new sound is one they are most proud of. As well as grabbing DJ Mag’s attention, the bookers are also taking heed — this year they’ll be playing at Dimensions, Gottwood, Farr Festival, alongside Elena Colombi in Bristol, and at their residency in Peckham’s new haunt, Ghost Notes.

A passionate advocate of techno, French DJ/producer Madben (Benjamin Leclercq) has made the sound his guiding principle for nearly two decades. He began DJing when he moved from the Belgian border to Lille in 2000, has since held residencies at Rex Club in Paris and played at festivals across Canada and France.

His productions have graced labels including Off Recordings and Astropolis, and last year Leclercq’s ‘Momentum’ EP contained two armour-plated, heads-down original cuts (plus remixes from Basic Soul Unit and CYRK), which put a spotlight on this artist as never before. His new album ‘Fréquence(s)’ makes good on that promise: encompassing experimental material, such as the broken beat IDM sequences of ‘Space Bubbles’, Madben also flexes his considerable skill for constructing ferocious dancefloor cuts. ‘Narcotica’ begins as tough house, with a serrated bassline sawing through the track, but expands with cascading melancholic synths, while ‘MG’s Groove’, with fellow Frenchman Laurent Garnier, is a beautiful ode to the Motor City, with crisp drum machines and techno soul touches. Fans of dancefloor techno would be well advised to investigate.

BLACK GIRL / WHITE GIRL

FOR FANS OF: Detlef, Pan-Pot, Davide Squillace

Ty and Karin are Black Girl / White Girl: a production duo whose refreshing approach to tech-house is getting props from the biggest DJs in dance music. Their releases on Hector Couto’s Roush label, New Violence and Lapsus have the rhythmic energy to move big rooms, yet they’re unafraid to throw in less expected, experimental constituents too. ‘Boo Boo’ blended a funked up bassline with a surging dark techno lead and spoken word samples, while ‘Body Heat’ (on Flashmob Records) threw together classic house stabs with minor key, dark synth- lines — piquing the interest of Jamie Jones, Marco Carola and Seth Troxler. “We’re only interested in carving out our own sound while staying far away from trends and what is deemed commercially successful,” the duo say. “It can have an alienating effect sometimes, and that’s a good thing. We tend to push the envelope far enough that we weird ourselves out on the regular.” In what’s sure to be a breakout year, they’ve already got releases lined up on Underground Audio and Green Velvet’s Relief label, which they describe as “our best work to date”.