DJ Mag : diversity & equality report Q4 2020

Our first diversity & equality report, from Q3, was circulated across our digital channels during the month of October. Representatives from each element of the business continue to meet monthly, as our diversity and equality working group, to discuss the short- and long-term aims of our pledge.  

We continue to give free print advertising to causes that support Black and non-Black POC community projects (AZ Mag, YUAF and Reprezent Radio) to the value of £30,000.00. This commitment to free advertising will be an ongoing part of the business and has now been expanded to cover our digital campaigns.

Our cover star for September was Conducta with Sherelle featuring on the cover for our December end of year edition. 

In our December issue, we followed up with four of the contributors from our July  Black Lives Matter ‘Dance Music is Black Music’ cover. DJ Paulette, Kay-Lee Golding of the Radio Silence movement, Akua Ofei of the Black Junglist Alliance, and NIKS from Black Bandcamp all reported on updates to their projects and their views of how the scene has progressed.

The editorial team is also in the final stages of updating the style guide to better reflect changing contemporary terminologies within Black music, including genre and subgenre names. 

While we have historically featured Black, POC and LGBTQ+ artists across all of our DJ Mag channels, we continue to make a concerted effort to showcase as many artists, scenes and labels (both established and emerging) from these communities as possible. We’ve also been working with more Black and POC writers, including for top-line editorial such as long-form and cover stories, areas that have been dominated by white writers in recent years.

This diversification extends to our digital content hosting. In December, we published a feature on Manchester-based research project, Prosecuting Rap, which is challenging the use of “rap evidence” in court. Recent years have seen an increase in the number of UK criminal trials using rap lyrics and music videos as evidence, a trend that disproportionately affects young Black men and worries many in legal and creative fields.

Our video team continues to create our DJ Mag Originals content through the pandemic, with series including How I DJ, How I Made and The Story Of all launching in recent months. Each series features a diverse range of artists.

Series Playlists can be viewed at the links below

• How I DJ

• How I Made

• The Story Of

Between 1st October and 1st January, seven of the 10 mixes hosted on the DJ Mag Soundcloud were by Black or POC artists. Four were by female or non-binary artists.

Of the 13 mix slots available for the next quarter, nine are already confirmed. So far, seven of those will be from Black or POC artists, and members of the LGBTQ+ community. At the time of writing, three of the mixes confirmed are by women or non-binary artists. Of the 41 premieres hosted on DJ Mag's Soundcloud between 1st October and 1st January, 19 were by Black or POC artists. 10 were by female or non-binary artists.

Positioned as a counterbalance to our internationally focused Top 100 DJs poll, our Best of British awards are designed to showcase underground electronic music from the UK.  

Reaching 1.3 million users, with 35,000 votes each year — in addition to extensive support from the music industry, artists, labels and more — Best of British is a proven predictor of future stars and trends. 

Unlike our Top 100 Polls, voters in Best of British are given an option of nominees selected by our editorial staff. Once again, we were proud to represent the diversity of the UK scene in this year’s awards, which landed in the final month of Q4. Our Best of British awards featured a diverse list of nominations, and we were encouraged that half of the voted for awards were won by Black, POC and LGBTQ artists. Our series of editorially curated awards also continued in reflecting the diversity of the UK dance music scene.